All Things Useless

Good Beer Music

Jim — Fri, 16 Mar 2012 17:50:28 +0000

You got your music in my beer! You got your beer in my music!

crossposted from I Grok Grog

I like beer. I like music. But for some reason, when you put the two together, it often turns out badly.

Let’s face it, there are a lot of jackass beer songs out there. From that beer song that everybody claims is by Weird Al when you know it totally isn’t, to that bad metalcore beer song (“Beer is good, beer is good, beer is good… and stuff” I know it’s supposed to be funny, it just… isn’t), to the innumerable interchangeable pop country anthems on the subject, you are pretty well assured that if something is called The Beer Song it’s going to be full of burps and dumb jokes and you’re almost guaranteed it’ll be terrible.

These Australian cats nailed it though. Finally, a Beer Song that I can dig. Check it out.

I had been meaning to do a beer & music post for a while but it took this song to inspire me to get it done. So what makes this song so much better? They make some of the same dumb jokes right? Maybe. But a couple of items stand out here. First, the music is actually really good. Second, they make some funny jokes too. Third and most importantly, they aren’t just singing about pounding Natty Light or whatever the Australian equivalent would be–it’s pretty clear these guys appreciate good beer and not just swill. To wit:

Well the Poms they drink it kind of warm
The Nordics drink it from a horn
The Germans drink it from a stein
The Irish drink it all the time

A lager, bitter, porter or an ale
Hefeweizen or a pale
Dubbel tripel or a stout
If it’s a light beer pour it out
You can pour that shit out

So thanks, ElbowSkin, for reclaiming beer songs from suckitude. I would love to buy the single–but I’ll be damned if I’m installing iTunes. So, I’ll just keep replaying the Youtube video over and over instead!

And now here is some more good beer music for your enjoyment!

A favorite from my college days, long long ago down in Carbondale. Jungle Dogs – Cold Beer

Seems like beer songs are obligatory for ska bands. Here’s Reel Big Fish’s song Beer

Here’s a sentiment that I don’t agree with, but a song I like. And I am pretty sure that these guys would make an exception for me (and any of you who actually read my blog). Tri State Killing Spree - Let There Never Be Another Beer Ever Drank

And another negative take but a great song, Jerry Lee Lewis – What’s Made Milwaukee Famous

Looking for beer songs on Youtube, I found a few I wasn’t familiar with previously, and some of them are even good! Here’s one by a guy named Dan Reeder called I Drink Beer, kind of a weird little folk number

And because I’m a sucker for German thrash metal, here’s Die With A Beer In Your Hand by Tankard

Here’s an honorable mention–I can’t say I’m thrilled with the song, but it namechecks some pretty great breweries and the video was partially filmed at Odell Brewing in Ft. Collins, CO. Which reminds me, it’s been a while since I begged Odell to start distributing in Illinois. PLEASE PLEASE PLEASE or just send me beers, that would be OK too. People Under The Stairs – Beer

Also, speaking of music and beer, tomorrow is St. Patrick’s Day–have fun, avoid rookies where possible, make it home OK, and if you want some Irish music to listen to, check out this St. Patrick’s Day podcast I did a few years ago. http://radio.gen1.us/archives/345

Should I embed some bad beer songs too? Let me know! Or tell me your favorite that I missed.

I am all of these guys, only fatter.

Jim — Thu, 08 Mar 2012 05:32:36 +0000

But mostly I’m probably this guy:

Every day I ride the tour de fuck you

http://motherfuckingbike.com/

edit: get that shit on bandcamp, bitches: http://sonsofscience.bandcamp.com/

My favorite albums of 2011

Jim — Sun, 29 Jan 2012 07:56:42 +0000

It’s well into 2012, and I have been too lazy on this, but I’m finally ready to post my best of 2011 mix. Hoo-ray? Hoo-cares? Who knows? but it’s something I’ve been doing every year for the past several and I enjoy it. I hope you enjoy it too, and what the hell, free music, right?

So how was 2011, musically? I made a commitment early in the year to try to listen to as much new music as possible, to make the year-end list the best it could be. Unfortunately, I think the more new music I listen to in a year, the harder it gets to go through it all and come up with a coherent and accurate picture of what my favorites were. I worked on this list through the last half of November and all of December, and spent most of January picking tracks for this list and fretting over whether this or that album really belonged on it.

But eventually I decided that second-guessing myself was a mug’s game, and here you go. My favorite albums of 2011.

20. Russian Circles – Empros
Song: Mladek (00:00-07:20)Russian Circles is a Chicago-based band who plays heavy instrumental rock in the vein of Pelican, but with a more melodic feel. I’ve been following them for several albums, but I think this is the first time they’ve appeared on my year-end list. This album is interesting in that their sound has grown to incorporate some more extreme elements but also quieter interludes, and the songwriting is as good or better than on any of their previous albums. The song I’ve selected highlights their typical heavy and heavily layered yet melodic sound.
http://russiancirclesband.com/

19. Deer Tick – Divine Providence
Song: Let’s All Go To The Bar (07:20-10:30)Deer Tick are among a group of bands (like Blitzen Trapper) working a certain corner of Americana with a smirk and a stomp and an ironic mustache. They’re not typically my favorites, though I do enjoy listening to them. But this album is a bit more muscular than previous efforts, and makes it into my list almost entirely on the strength of the meathead anthem I’ve selected for this mix. Its simplistic call and response structure may not belie deep thoughts behind, but its frantic energy is a clear an homage to the Replacements as I’ve heard in years. And yes I’m probably a bit of a meathead, so the song itself appeals to me on an entirely unironic level.
http://www.deertickmusic.com/

18. Charles Bradley – No Time For Dreaming
Song: No Time For Dreaming (10:30-13:19)I was late getting into the whole Daptone thing. Sharon Jones and the Dap Kings have been putting out some great records for a while now and were never on my radar until a friend of mine brought them up to me almost a year ago. See, I listen to a lot of new music but almost completely at random, whatever strikes my fancy on a given day. And I miss a lot that way, especially since I tend not to check a band out at all if I find the hype annoying. But after dropping the ball on SJ&tDK I was on the lookout for some good throwback R&B, and this Charles Bradley album came along at just the right time. Also a Daptone artist, his James Brown-inspired sound could have been recorded in 1970 and saved in a time capsule until now.
http://thecharlesbradley.com/

17. Hunters – From Birth To Soil
Song: Engine of Deceit (13:19-18:11)Hunters are another Chicago-based band (I do like to check out the local talent) that play a kind of groovy, almost stoner-like sludge metal informed by the intensity of death metal. Comparisons could run the gamut from High on Fire to Mastodon to Carcass with a line running back through Pantera to a heavy 70s Sabbath-style groove. I’ve elected to focus on the stoner/groove aspect with the song I’ve selected, but even there it takes a break to delve into pure sludge partway through the track.
http://www.huntersmetal.com/blog/

16. Jason Isbell and the 400 Unit – Here We Rest
Song: Never Could Believe (18:11-22:14)Jason Isbell, formerly of Drive-By Truckers, still writes probably the best Truckers songs out there. Unfortunately, the band he’s playing with now, as good as they are, don’t quite have the same balls as DBT, so the songs don’t have the same raunchy immediacy that I think the boys would have given them, even if the songs’ subjects are as down & dirty as anything Isbell has written previously. But the songs themselves are of course still the strength here, with the focus on Southern characters and their troubles. Never Could Believe is a funky little honky tonk number with great interplay between the guitar and piano that I dig.
http://www.jasonisbell.com/

15. Symphony of Science – Symphony of Science Bundle
Song: We Are All Connected (22:14-26:20)OK, so I guess I’ve finally gotten around to cheating a little bit. I have certain rules with these year-end lists–no compilations, no rereleases, no EPs, just full-length albums initially released that year. Symphony of Science has been putting together these amazing songs out of autotuned snippets of voiceovers by some of the great minds in science (among others), sourcing them from science shows, lectures, etc., for a few years now, with accompanying youtube videos. But I believe this year is the first time they’ve released them as a downloadable MP3 album, which technically–technically–qualifies it for this list. I’ve selected a song containing some great quotes from some favorites of mine, including Carl Sagan and Neil deGrasse Tyson.
http://symphonyofscience.com/

14. Larry And His Flask – All That We Know
Song: Blood Drunk (26:20-29:53)Larry And His Flask are an Oregon band playing the same kind of punk-rock breakneck bluegrass that seems to find its way onto my list every year in one form or another. These guys have energy and chops and a great sense for melody. The song I’ve selected has a bit of darkness to it, but tempered by a singalong chorus and a sense of fun.
http://www.larryandhisflask.com/

13. Absu – Abzu
Song: Abraxus Connectus (29:53-33:44)Absu’s Abzu, the second in a planned trilogy of records, is a psychotic onslaught of thrashy chaos. The opening 20 seconds or so may mislead you into thinking you are listening to a bad 80s hair metal throwback, but once the girlish wail subsides and the band gets to its business, the pummeling your gut takes from the lightspeed riffing will convince of the wrongness of that initial impression. I’ve selected the 3rd of six songs for this mix, and it represents this album at its best.
http://absu.bandzoogle.com

12. Tombs – Path of Totality
Song: To Cross The Land (33:44-39:37)Tombs plays a depressive style of metal that definitely draws on the influences of Neurosis-style post-metal, but has its own blend of black metal and sludge and a half-dozen other subgenres as well. The sound can range from a patient sparsity to an enveloping shroud of downtuned guitars and blastbeats but the remarkable thing about the album is the emotionality of it–oppressive, paranoid, despairing, claustrophobic… I have to admit that I’m not a guy who can really pick out lyrics in most metal, especially with harsh vocals (can anybody? I guess so but it’s hard to believe sometimes)–the emotions I’m talking about, I’m getting strictly instrumentally. The song I’ve chosen builds slowly, starting with a repeated figure that builds in frantic intensity into a blastbeat-punctuated pronouncement of doom.
http://www.filledwithsecrets.com/

11. Original Cast Recording – The Book Of Mormon
Song: Hasa Diga Eebowai (39:37-43:59)Show tunes? Well, I do have a little bit of a theatrical background but I don’t keep up too much. This new musical though, from Matt and Trey of South Park fame, piqued my interest, as I do tend to enjoy a good laugh (even if I don’t watch too much South Park anymore) and they can always be counted on to raise a few eyebrows. This show is… it’s just so slick; the people they teamed up with to bring it to the stage really knew their Broadway musicals, and it shows. As profane and offensive as you might expect, this soundtrack shows a real love for musical theater, with homages to everything from the Lion King to Sound of Music to bad Bono-led celebrity charity albums and a real affection for its characters, no matter how goofily it portrays them. Regarding the song I’ve selected for this mix: odds are it will offend you, but there’s also a lot to be said for the way it upends the cheeriness of the Lion King’s Hakuna Matata in favor of a darker (but funnier) look at conditions in Africa and the way people react to them.
http://www.bookofmormonbroadway.com/home.php

10. Necrocomiccon – Hot Dog Cart Hunger
Song: Everybody Wants To Rule The World (43:59-46:36)Necrocomiccon is a black metal band that plays black metal versions of pop songs from the 1980s. They are absolutely brilliant, and they’ve released an EP and another full-length since this album without a dud among them. I’ve selected their version of a classic Tears for Fears song; it’s amazing, so is the rest of the album, look them up on Facebook and check them out because they are a couple of geniuses.
https://www.facebook.com/Necrocomiccon

09. Yuck – Yuck
Song: Get Away (46:36-50:11)Shortly after this album came out, I considered it a lock for the #1 spot on this list. Something about the Dinosaur Jr. guitar tone they use liberally (though if you listen to the whole album they do veer away from the Dino Jr. formula quite a bit, most notably on a Burt Bacharach inspired number that made me think of Butch & Sundance riding bicycles) just seems to grab directly onto my spinal cord and make me do its bidding. But I think I burned myself out on it early, and truth be told there’s not much else on the album as strong as this opening song. Still top 10 material though.
http://yuckband.blogspot.com/

08. Low – C’mon
Song: Especially Me (50:11-55:37)Low, though they’ve been around forever, first came to my attention with a fantastic (silly but fantastic, and it could hardly be otherwise) version of Toto’s song Africa that they did for the AV Club, and I checked out this album on the strength of that performance. Consistently mellow, and lyrically not always the strongest, still these 10 tunes present a solid wall of mesmerizing vocal harmonies. Probably the overall best song from the album (aside from the hypnotically repetitive Nothing But Heart) is the one I’ve chosen for this mix, which features Mimi’s enchanting vocals and the dreamlike sound that characterizes much of the album.
http://chairkickers.com/

07. Elliott Brood – Days Into years
Song: Hold You (55:37-60:14)Elliott Brood are a perennial favorite of mine, and this album features their “death country” sound with improved songwriting. I’ve had them on my year-end list before and don’t know how much new I can say about them. Hold You is a great thumbnail of their sound; if a song can be simultaneously plaintive and anthemic, this is it.
http://www.elliottbrood.ca/

06. Fucked Up – David Comes To Life
Song: Life In Paper (60:14-64:50)Fucked Up’s album David Comes To Life is an epic work that I admit, I haven’t fully been able to wrap my head around yet. But that’s not a knock on it–there’s a lot to come to grips with. Musically speaking, I’ve found it analogous to The Hold Steady in certain ways; instrumentally, you’ve got a style of music (in Hold Steady’s case it’s classic rock, in this case it’s indie punk) that I find enormously pleasing, when vocally I find both bands grating. But whereas I never really fully was able to reconcile Craig Finn’s drunken sneer with the bar band stylings of his cohort, I’ve come to appreciate the way Damian Abraham’s hardcore screaming works with the wall-of-noise guitars Fucked Up brings. The album’s epic length, daunting as it is, has presented another barrier to my understanding. But more and more, I find myself pleased with the prospect that I will probably still be wrestling with this album through the remainder of 2012.
http://www.myspace.com/epicsinminutes

05. Liturgy – Aesthethica
Song: Tragic Laurel (64:50-68:55)It’s my understanding that Liturgy often faces the epithet of “Hipster Metal.” As if metal is a ghetto undergoing gentrification, and Liturgy are the skinny tattooed white kids rolling through on tall bikes and smoking American Spirits. I don’t know about that. I dig metal, and while it’s true that I tend to lean more toward certain types of metal, that flows from the way something sounds and how that affects me more than from the application of some outside aesthetic. I have a friend who absolutely hated this album. I know there have been multiple internet bitch fights about this album. I guess I cared enough to notice, but not to keep it from being my highest-rated metal album of the year. Because it’s just so damned interesting. I’ve tried to explain it using phrases such as “it’s like somebody took pieces from a puzzle labeled ‘black metal’ and ended up putting together a math rock album with them instead” but apart from being a clumsy simile it’s not quite right either. I’m not always the best at articulating what I like about music, and honestly I’m not a guy who always goes for the most challenging fare, but something about the way that they took black metal sounds and did something completely different with them appealed to me.
http://www.myspace.com/liturgynybm

04. The Red Hills – I’m A Nightmare
Song: News And Bombs (68:55-73:09)Here is a random Bandcamp download that ended up captivating me for a good portion of 2011. It started with the song San Diego, and eventually the whole album just got under my skin. I can’t really find out too much about these guys other than that they are from Portland Oregon and are related to the (fantastically named) band I Can Lick Any Sonofabitch In The House. This is dark alt-country, touching on dark subjects, and without much to break that mood. But it’s compelling stuff.
http://www.theredhillspdx.com/

03. Amerigo Gazaway – Fela Soul
Song: Stakes Is High (73:09-78:25)Is this a cheat? I guess I’m not familiar enough with the original works to tell how involved the work was that went into these mashups. But the concept is great, and the outcome is even better, and this list is more about my favorite new music than the most technically accomplished. Fela Soul is a mashup of works by famed Afrobeat artist Fela Kuti with songs by De La Soul and related projects, and I’ve spun it compulsively enough this year to land it high on my list.
http://www.amerigomusic.com/

02. White Denim – D
Song: Burnished (78:25-81:01)I heard these guys on turntable.fm one day and immediately sought out this album. It’s indie rock with a jazzy/mathy sound and a bit of Southern flair (the band is from Austin if I’m not mistaken). Some songs are more straightforward, but the one I’ve chosen showcases their love of complexity, with shifting time signatures and noodly, intertwining dual guitars.
http://whitedenimmusic.com/

01. The Joy Formidable – The Big Roar
Song: The Everchanging Spectrum Of A Lie (81:01-88:03)This Welsh band’s full-album debut is sort of a companion piece, in my mind anyway, to the previously-mentioned Yuck album. Where that album reprised the noisy early-90s sound of indie bands like Dinosaur Jr., this one incorporates the early 90s shoegazy sounds of a My Bloody Valentine, but with a bigger crunch and a louder thump and an urgency that demands my attention.
http://www.thejoyformidable.com/

I Yam What I Yam

Jim — Fri, 27 Jan 2012 20:14:07 +0000

I’m not a huge fan of Wilco. I mean, I don’t hate them, and I really like a lot of what they do. I’m on record though as saying that I’d trade all the Son Volt and Wilco albums in the world for more Uncle Tupelo. And nothing has really changed that.

The other day I saw this Wilco/Popeye crossover image and wondered what it portended, but didn’t think too much of it.

But then today, I saw this video posted over on Chicagoist and I fell kind of in love with it. I have a great big old warm fluffy feeling for Wilco right now. Jeff Tweedy, you get me. Popeye cartoons are one of the things that I watched all the time growing up that you just don’t see too much anymore. And I guess the same is probably true for Tweedy, who is of an age with me.

It’s not entirely convincing, but it has a lot of the feel and charm of the classic black & white Popeyes, with the repetitive movements, etc. A few more pops/flickers and some nearly incomprehensible mumbling might put it over the top. But it’s pretty great as is. And the song? Well, I like it. But it’s no Anodyne. Enjoy!

Hey this is pretty neat too

Jim — Wed, 25 Jan 2012 18:13:34 +0000

From here: https://www.facebook.com/photo.php?fbid=10150559918873205&set=pu.76967918204&type=1&theater, via Tumblr.

My new favorite thing in the whole of… yesterday, actually

Jim — Wed, 25 Jan 2012 16:45:34 +0000

Necrocomiccon's Mjölnir for Nothing album cover image. Destined to be cover of the year.

My favorite black metal band who covers 80s pop hits, Necrocomiccon (of whom I’ve previously written) apparently snuck a new release out earlier this month without me noticing.

They had released a 3-song EP called “Welcome to Hello” last month but apparently these guys are workaholics and dropped Mjölnir for Nothing while I was still recovering from my New Years Eve hangover. (So maybe it took me a week and a half, it’s NYE right?)

So I finally found out about this thing yesterday, late in the afternoon, and listened to it. Now, don’t get me wrong, everything these guys do is gold, but some bits are shinier than others. (Or, should I say, everything they do is frostbitten and kvlt but some bits are more gray and frostbitten than others) And I have a new favorite song by them.

Necrocomiccon's Welcome to Hello album cover image. No slouch itself.

I have lauded their genius previously. And this album has plenty to recommend it, including a Hall & Oates cover (‘sup Aaron? Knew you’d dig that) and a wild Cyndi Lauper medley at the end. But the song I want you to listen to right now is inspired. How the hell someone comes up with the idea to cross an Amon Amarth song (Pursuit of Vikings) with a Huey Lewis and the News song (I Want a New Drug) and then makes it work, is beyond me. But hey, if I was a guy who could come up with those kinds of ideas, I’d probably be in this band. Except that they’re out of (I think) New Jersey, which would make attending rehearsals difficult for me. Oh well.

Here’s Necrocomiccon’s Pursuit of a New Drug. Check it out! (and I hope they don’t mind)

Nerding out / Geeking out / Wigging out

Jim — Fri, 21 Oct 2011 18:31:06 +0000

This is the first GIS result I get for the term "weird internet."

The internet has been a little weird this week (subjectively speaking, as some of these things may be older internet phenomena of which I have only recently become aware). I guess the internet is a little weird every week but today it seems to me like it might have been a little weirder than normal.

Please be advised that the image you see to the left has nothing to do with any of this. I just needed something other than the creepy people-eating bible (see below) to be the headline image for this post. I don’t want to have to look at that thing every time I check my site for the next few weeks or months.

So anyway, here is what I have been nerding out or geeking out over this week, and a couple of things that wigged me out.

Nerding out

The Sagan Series (and its side project, The Feynman Series) (website, facebook, youtube). This is a series of fairly simple mashups, with postrock or other ambient music set as background to the voice of Carl Sagan (or in the case of the Feynman Series, Richard Feynman). The Carl Sagan bits are taken from audiobooks he narrated or from his TV series Cosmos, while the Feynman bits seem to be taken from various interviews. This audio is then in turn set to video featuring some gorgeous footage from various science and nature documentaries.

Here is the video for The Sagan Series Part 6 – End of an Era: The Final Shuttle Launch, which is currently my favorite if only by virtue of featuring my favorite Explosions in the Sky song, First Breath After Coma.

Also, while perusing these videos I stumbled across something called “Symphony of Science” which appears to be a kind of Autotune the News, only more sciencey. And I’m nothing if not pro-sciencey-stuff. Also nerding out over this. I haven’t dug into it fully but here is one of their videos:

Geeking out

I have posted about this a few times, but William Shatner‘s new album “Seeking Major Tom” came out last week. I don’t know that my “Future Best Album of 2011″ prediction has come true but it has definitely had my attention. And then the most bizarre damn thing happened–they released a video that hits like a full sheet of blotter. I have no idea what the hell is going on here, but if you haven’t, you should definitely check out this video for the Shat’s version of “Bohemian Rhapsody”:

Wigging out

This morning, within the space of a few minutes, these 2 images were posted by friends of mine on facebook and wigged me straight out.

First, there’s this image, which I guess is supposed to be a visual pun representing the comfort offered to people by their faith, but just makes me think that the bible is going to pull this chick in, bad 80s horror movie-style, only for her to emerge later as some kind of dead eyed biblebot.

Please make the book stop touching me

Then, shortly after, came this bizarro kitty Voltron which, ugh. Reminds me of Bonsai Kitten except not funny.

I'm afraid I'll have to confiscate any image-editing or 3D modeling software on or about your person, sir. It's for your own good

My new favOH HELL SHATNER SHATNER SHATNER

Jim — Wed, 19 Oct 2011 19:19:19 +0000

Many of you may wish to ignore the existence of this video. But it is far too powerful, and demands a reaction. Fear the captain, for he is an angry god, or weird uncanny valley Mufasa-style talking head in the sky dispensing gibberish and cavorting with psychedelic constellations.

Shatner is an angry god

My New Favorite Thing – Daffy Duck, The Wizard

Jim — Wed, 28 Sep 2011 16:42:05 +0000

Daffy Duck, The Wizard

On my birthday yesterday, the internet brought forth its bounty. And that bounty was good. I posted about the behind-the-scenes look at Shatner recording Iron Man yesterday, and I couldn’t possibly have a new favorite thing in the whole of that day, as it was spoken for. But today, I will show you the awesomeness posted upon my FB wall by my buddy Aaron. As I said to him, I do know know why it exists, but perhaps I don’t have to, as it is excellent.

Never one to simply succumb to wonder, of course I spent 10 seconds on wikipedia to find out that there is a new Looney Tunes series that features a song / accompanying video in each episode, and this was simply a recent “Merrie Melodies” feature. Still excellent. Also, my kids pointed out to me last night that there is a “Merrie Melodies” featuring Elmer Fudd singing about grilled cheese sandwiches. That one is… well, kinda creepy. Still funny, just creepy.

My new favorite thing – WILLIAM SHATNER IS IRON MAN

Jim — Tue, 27 Sep 2011 15:11:28 +0000

Yes, I'm using this image again, it is waaaaaay too awesome to use only once!

You know, after I posted earlier this year about the new William Shatner album and how it was going to be the greatest thing ever, I haven’t heard anything else about it. I’d started to wonder, hey, what the hell, is this thing going to happen or not?

Well happy birthday to me, and thank you for posting this today Mr. Shatner